This paper continues Charles Forceville‘s research paradigm of looking at the metaphorical underpinnings of meaning in comics. Here, he and Michael Abbott look at a particular phenomenon in some manga where […]
The recent compilation, The Art of Comics edited by Aaron Meskin and Royt Cook contains several new articles on a “Philosophical Approach” to comic theory. This book tackles many interesting […]
A comment on my review of Magnussen’s piece on semiotics in comics asked me to expand on this part: More interestingly, she claims that the “still-images of actions” are also […]
Magnussen, Anne. (2000). The Semiotics of C.S. Peirce as a Theoretical Framework for the Understanding of Comics. In A. Magnussen & H.-C. Christiansen (Eds.), Comics and Culture: Analytical and Theoretical […]
Way back in January, I had a piece published in the innaugural issue of the online Public Journal of Semiotics, yet kept forgetting to post about it. The essay there […]
Big breath; prepare for a long post… Most of the time, people think about languages as being “out there in the world” – consisting of a conventional list of words […]
This was a final thought that never got posted on the whole “Iconic Bias” kick. I started thinking about the old “Comics are for kids” misperception related to it all. […]
So, it seems this Art vs. Language/Iconic Bias stuff is on the brain these days… A great deal of research on “art” or looking at drawings has been situated in […]
So, last post I talked about how criticism of certain drawing styles stems from the fact that critics might speak a different dialect of visual language. The Art Perspective would […]
As I discussed in my previous post, there is an Art Perspective belief that people should learn to draw from “real life” and not from copying others. In that post, […]