In a series of Twitter posts, I recently reflected on the pitfalls of various comics research that hasn’t been published. Since I think it contains some valuable lessons, I’m going […]
In reading through various works about comics understanding, I keep hearing several statements repeated over and over. But, several of these statements are not reflective of the way people actually […]
Over the past several years, I’ve presented a lot of evidence that panel-to-panel “transitions” cannot account for how we understand sequences of images in visual narratives like comics. Rather, I’ve […]
As people have now started reading my book and papers, they’ve naturally started to try to apply my theories of “narrative grammar” to sequential images found in comics. My “narrative […]
I’m happy to say that I have a new paper (pdf), “Building a better “comic theory,” in the latest issue of the journal Studies in Comics. In this one I critique […]
Every now and then, I see or receive commentary from people about my studies where they object to some of the stimuli in my experiments. They exclaim things like, “But, actual […]
In my previous post, I drew a distinction between the type of scholarship often done by people who are creators of comics (i.e., fluent in the visual language they study) […]
When I first started entering into discussions about visual language research, the fact that I actively created comics seemed like an important point that I would often stress. While I […]
Via this article I stumbled onto this dissertation which promotes using comics in educational contexts (a topic I am very interested in). In one of the chapters of the thesis, […]
I’ve read a ridiculous amount of research on the comprehension of sequential images the last few years. Many people have written papers about this topic, often from many different disciplines. […]