This page features downloadable academic papers on visual language research. Also, see my introductory writings for more accessible writing for laypeople, and the Visual Linguist blog for more casual and exploratory writing, along with updates about ongoing research. For more detailed information about visual language and its study, check out my book, The Visual Language of Comics.
- PDF – open pdfs in new window.
- NEW – indicates recently added papers.
- *** – recommended introductory papers.
Papers are organized by their major topics as best as possible. Because aspects of visual language are interconnected, some papers may discuss multiple topics. For a chronological listing of papers, see my vitae.
The theory of visual language covers a wide range of topics, just like the study of spoken or signed languages. These papers discuss the broader relationship between visual language, comics, and lingusitics, and how to study them.
Cohn, Neil. 2014. Building a better “comic theory”: Shortcomings of theoretical research on comics how to overcome them. Studies in Comics. 5(1), 57-75. (PDF)
***Cohn, Neil. 2012. Comics, linguistics, and visual language: The past and future of a field. In Bramlett, Frank (ed). Linguistics and the Study of Comics. New York: Palgrave Macmillan. (PDF)
Cohn, Neil. 2005. Un-defining "comics." International Journal of Comic Art. 7(2): 236-248. (PDF)
My main project in visual langauge research has always been exploring how sequences of images create meaning in the mind and brain. I am primarily interested in how such competence is structured, how it is processed in the brain, and how that system relates to other cognitive domains like verbal discourse and narrative, event structure, and even musical cognition.
NEW Cohn, Neil, and Eva Wittenberg. 2015. Action starring narratives and events: Structure and inference in visual narrative comprehension. Journal of Cognitive Psychology. (PDF)
Cohn, Neil, Ray Jackendoff, Phillip Holcomb, and Gina Kuperberg. 2014. The grammar of visual narratives: Neural evidence for constituent structure in visual narrative comprehension. Neuropsychologia. 64: 63-70. (PDF, Video summary)
Cohn, Neil. 2014. You’re a good structure, Charlie Brown: The distribution of narrative categories in comic strips. Cognitive Science, 38(7), 1317-1359. (PDF)
*** Cohn, Neil. 2014. The architecture of visual narrative comprehension: the interaction of narrative structure and page layout in understanding comics. Frontiers in Psychology. 5:680 (PDF)
Cohn, Neil, and Martin Paczynski. 2013. Prediction, events, and the advantage of Agents: The processing of semantic roles in visual narrative. Cognitive Psychology. 67 (3):73-97. (PDF)
Cohn, Neil. 2013. Visual narrative structure. Cognitive Science 37(3): 413-452. (PDF)
Cohn, Neil, Martin Paczynski, Ray Jackendoff, Phillip Holcomb, and Gina Kuperberg. 2012. (Pea)nuts and bolts of visual narrative: Structure and meaning in sequential image comprehension. Cognitive Psychology 65(1): 1-38. (PDF, Poster version)
Cohn, Neil. 2010. The limits of time and transitions: Challenges to theories of sequential image comprehension. Studies in Comics 1(1): 127-147. (PDF)
Cohn, Neil. 2007. A visual lexicon. Public Journal of Semiotics. 1(1): 35-56. (PDF)
These papers discuss aspects of comic page layouts—their "External Compositional Structure."
NEW Cohn, Neil and Hannah Campbell. 2015. Navigating comics II: Constraints on the reading order of page layouts. Applied Cognitive Psychology. 29: 193-199 (PDF)
Cohn, Neil. 2013. Navigating comics: An empirical and theoretical approach to strategies of reading comic page layouts. Frontiers in Cognitive Science. 4: 1-15. (PDF)
These papers discuss the cognition of drawing: how we create meaning by making graphic marks. They explore how drawing is structured in the mind/brain, how this ability is developed, and the effect of culture on these abilities.
Cohn, Neil. 2014. Framing “I can’t draw”: The influence of cultural frames on the development of drawing. Culture & Psychology. 20(1): 102-117. (PDF)
***Cohn, Neil. 2012. Explaining "I can't draw": Parallels between the structure and development of language and drawing. Human Development 55(4): 167-192. (PDF)
Just like spoken languages differ across the world, visual languages differ between cultures. These papers discuss the differences between different visual languages of the world, particularly Japanese Visual Language (found in manga), and different dialects of American Visual Language.
Cohn, Neil, Amaro Taylor-Weiner, and Suzanne Grossman. 2012. Framing attention in Japanese and American comics: Cross-cultural differences in attentional structure. Frontiers in Cultural Psychology. 3: 1-12. (PDF)
Cohn, Neil. 2011. A different kind of cultural frame: An analysis of panels in American comics and Japanese manga. Image [&] Narrative 12 (1): 120-134. (PDF)
Cohn, Neil. 2010. Japanese Visual Language: The structure of manga. In Manga: An Anthology of Global and Cultural Perspectives, edited by T. Johnson-Woods. New York: Continuum Books. (PDF)
These papers cover aspects of visual language "vocabulary"—the meaningful elements of images.
NEW Cohn, Neil, and Stephen Maher. 2015. The notion of the motion: The neurocognition of motion lines in visual narratives. Brain Research. 1601: 73-84. (PDF, Poster version).
Cohn, Neil. 2013. Beyond speech balloons and thought bubbles: The integration of text and image. Semiotica. 2013(197): 35-63. (PDF)
Cohn, Neil. 2010. Extra! Extra! Semantics in comics!: The conceptual structure of Chicago Tribune advertisements. Journal of Pragmatics 42 (11): 3138–3146. (PDF)